Both are faux-documentaries dealing with witchcraft in contemporary England. Both movies add lots of exploitation elements to the mix and it was clearly these exploitation elements that attracted the audience. Secret Rites seems to have done quite well at that time although it had been largely forgotten until the BFI discovered to its surprise that it actually had a very good print in its archive.
Interestingly the cast members include some real witches and some actors, some with backgrounds in sex films and some with more conventional acting backgrounds. The line between fiction film and documentary is constantly being blurred.
Secret Rites, in comparison with Legend of the Witches, focuses much more tightly on scenes of witchcraft rituals.
While Legend of the Witches was shot in black-and-white and looks ultra-cheap Secret Rites was shot in colour and has more of a feature film look.
The running time is just 47 minutes although it is possible that a much longer much racier continental version may have been shot. This was a not uncommon practice at the time. There is no way of knowing if this was the case. Derek Ford did however follow this practice later in his career and even on occasions included hardcore footage.
Director Derek Ford made quite a few sex comedies in the 70s which, sadly, apparently embarrassed him. A very British attitude indeed.
Secret Rites begins with a very pretty typical British dollybird deciding she wants to become a witch. She writes to Alex Sanders, who was in real life Britain’s most famous witch at that time, making enquiries about joining his coven. He suggests that she talk to Wendy, a member of the coven.
Her application to join the coven having been accepted she goes through her initiation ritual.
Other rituals will follow, including a temporary marriage ritual and a kind of eternal marriage ritual. Almost all of the film’s running time is taken up by these ceremonies.
The tone is very serious throughout. This may have reflected Alex Sanders’ approach. He was working very hard at that time to give witchcraft a favourable public image. In those more enlightened times that seemed like a perfectly achievable objective.
It may also have been an attempt to head off censorship problems, presenting this film as a serious documentary.
Censorship problems were certainly a possibility as there is an enormous amount of both male and female frontal nudity. It’s all very non-sexual but there are a lot of naked bodies.
In 1971 there were fascinating linkages becoming evident between the counter-culture on the one hand and the occult and various alternative religions on the other. This is a theme that is definitely present in the film. Secret Rites takes place in Notting Hill, then a major counter-culture centre.
Secret Rites has a very lurid visual style, looking more like a Hammer film with extra nudity (a lot of extra nudity) than a documentary. The visual style is rather fun and the witches wear some rather exotic costumes (when they wear clothes at all).
Secret Rites works well enough as a documentary about Alex Sanders’ brand of Wicca. It’s sympathetic and avoids sensationalism.
It also works pretty well as a sexploitation movie with lots of pretty young lady witches in a state of undress.
If you enjoy offbeat faux-documentaries done in a lurid style this movie is highly recommended.
The BFI’s Blu-Ray presentation looks terrific with nicely vivid colours (it’s a very colourful movie).
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