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James Mason is shipping mogul J. C. Calvert. He has two sons, equally bereft of talent or of any desire to earn a living. Antony Calvert (John Alderton) is forced into what he sees as outrageous wage slavery in his father’s business empire. He contributes nothing of value to the company but it amuses J. C to force his feckless on to turn up to the office every day. The other son, Stefane (James Fox), is luckier. His mother’s will provided him with sufficient access to the family money to allow him to live a life of fashionable indolence. And to keep him well supplied with extraordinarily tacky 60s fashions.
Antony spends most of his time trying to come up with schemes (invariably unsuccessful) to rob his father’s business. When he overhears the old boy making plans to send a million pounds in hard currency across the Mediterranean by sea he believes he’s finally lucked out. He persuades Stefane and Stefane’s beautiful ditzy girlfriend Segolene (Susannah York) to join him in steali
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Duffy is an ex-navy man who is now a kind of flower child drop-out. He lives in a groovy pad cluttered with bizarre artworks, and appears to spend most of his time chasing women.
They come up with the kind of over-complicated outrageously over-the-top plan that makes 1960s caper movies so much fun. Their scheme requires so much equipment that one can’t help thinking it would probably have c
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While their planning progresses Segolene indulges herself in a game of musical beds. Stefane doesn’t mind if she shares Duffy’s bed because he’s into peace, love and sharing.
The heist itself is great fun, and of course there are various plot twists after the heist where we find that things were not quite what they seemed. There are double-crosses in abundance.
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There’s plenty of amusing 60s dialogue, which becomes even more amusing when it’s delivered by James Coburn. There are more fashion disasters than you’ve ever seen in one place. It’s not every day you get to see James Coburn in a yellow kaftan. For which we can be truly thankful.
It’s a silly lightweight movie that delivers solid entertainment and has plenty of Swinging 60s kitschy charm. There’s also some picturesque Mediterranean location shooting.
This is the first of the Columbia ma
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