 I was hoping that T-Bird Gang, dating from 1959, would be a classic juvenile delinquent movie.  In fact the protagonists are just a little too old to truly qualify as juvenile delinquents (although juvenile delinquency certainly does get a mention).  It’s the story of a kid, a year or so out of high school, whose dad gets killed in a robbery.  He vows revenge on the gang who were responsible, and is persuaded by the police to go undercover, posing as a young hood who wants to join the gang.  The gang isn’t a teen gang though (much to my disappointment), it’s a criminal gang run by a smooth-talking and sinister character called Alex.  The gang consists of an assortment of 1950s young hoodlum stereotypes.  There’s also Marla, the obligatory blonde sex-bomb girlfriend of Alex.  And there’s at least a hint of a homoerotic sub-text (quite likely an unconscious one) in the hero-worship of Alex’s right-hand man Ray for his leader.  The best thing about this one is the fantastic jazz soundtrack – it’s very bebop-influenced, and was obviously intended to show how crazy modern music has contributed to the undermining of decent family values.  But it’s a soundtrack that works superbly.  John Brinkley makes a reasonably effective hero – he has the Jimmy Dean rebel aesthetic thing going, even though we find out he’s really a decent all-American kid.  Ed Nelson is fun as Alex.  It’s a fast-paced and highly entertaining movie with plenty of camp value, and even though it’s perhaps only marginally a juvenile delinquent flick it will appeal to fans of that sub-genre, and to fans of 50s paranoia movies in general.  And it has great cars and great clothes!  I loved it.
I was hoping that T-Bird Gang, dating from 1959, would be a classic juvenile delinquent movie.  In fact the protagonists are just a little too old to truly qualify as juvenile delinquents (although juvenile delinquency certainly does get a mention).  It’s the story of a kid, a year or so out of high school, whose dad gets killed in a robbery.  He vows revenge on the gang who were responsible, and is persuaded by the police to go undercover, posing as a young hood who wants to join the gang.  The gang isn’t a teen gang though (much to my disappointment), it’s a criminal gang run by a smooth-talking and sinister character called Alex.  The gang consists of an assortment of 1950s young hoodlum stereotypes.  There’s also Marla, the obligatory blonde sex-bomb girlfriend of Alex.  And there’s at least a hint of a homoerotic sub-text (quite likely an unconscious one) in the hero-worship of Alex’s right-hand man Ray for his leader.  The best thing about this one is the fantastic jazz soundtrack – it’s very bebop-influenced, and was obviously intended to show how crazy modern music has contributed to the undermining of decent family values.  But it’s a soundtrack that works superbly.  John Brinkley makes a reasonably effective hero – he has the Jimmy Dean rebel aesthetic thing going, even though we find out he’s really a decent all-American kid.  Ed Nelson is fun as Alex.  It’s a fast-paced and highly entertaining movie with plenty of camp value, and even though it’s perhaps only marginally a juvenile delinquent flick it will appeal to fans of that sub-genre, and to fans of 50s paranoia movies in general.  And it has great cars and great clothes!  I loved it.
Horror, sci-fi, exploitation, erotica, B-movies, art-house films. Vampires, sex, monsters, all the fun stuff.
Saturday, 28 April 2007
T-Bird Gang (1959)
 I was hoping that T-Bird Gang, dating from 1959, would be a classic juvenile delinquent movie.  In fact the protagonists are just a little too old to truly qualify as juvenile delinquents (although juvenile delinquency certainly does get a mention).  It’s the story of a kid, a year or so out of high school, whose dad gets killed in a robbery.  He vows revenge on the gang who were responsible, and is persuaded by the police to go undercover, posing as a young hood who wants to join the gang.  The gang isn’t a teen gang though (much to my disappointment), it’s a criminal gang run by a smooth-talking and sinister character called Alex.  The gang consists of an assortment of 1950s young hoodlum stereotypes.  There’s also Marla, the obligatory blonde sex-bomb girlfriend of Alex.  And there’s at least a hint of a homoerotic sub-text (quite likely an unconscious one) in the hero-worship of Alex’s right-hand man Ray for his leader.  The best thing about this one is the fantastic jazz soundtrack – it’s very bebop-influenced, and was obviously intended to show how crazy modern music has contributed to the undermining of decent family values.  But it’s a soundtrack that works superbly.  John Brinkley makes a reasonably effective hero – he has the Jimmy Dean rebel aesthetic thing going, even though we find out he’s really a decent all-American kid.  Ed Nelson is fun as Alex.  It’s a fast-paced and highly entertaining movie with plenty of camp value, and even though it’s perhaps only marginally a juvenile delinquent flick it will appeal to fans of that sub-genre, and to fans of 50s paranoia movies in general.  And it has great cars and great clothes!  I loved it.
I was hoping that T-Bird Gang, dating from 1959, would be a classic juvenile delinquent movie.  In fact the protagonists are just a little too old to truly qualify as juvenile delinquents (although juvenile delinquency certainly does get a mention).  It’s the story of a kid, a year or so out of high school, whose dad gets killed in a robbery.  He vows revenge on the gang who were responsible, and is persuaded by the police to go undercover, posing as a young hood who wants to join the gang.  The gang isn’t a teen gang though (much to my disappointment), it’s a criminal gang run by a smooth-talking and sinister character called Alex.  The gang consists of an assortment of 1950s young hoodlum stereotypes.  There’s also Marla, the obligatory blonde sex-bomb girlfriend of Alex.  And there’s at least a hint of a homoerotic sub-text (quite likely an unconscious one) in the hero-worship of Alex’s right-hand man Ray for his leader.  The best thing about this one is the fantastic jazz soundtrack – it’s very bebop-influenced, and was obviously intended to show how crazy modern music has contributed to the undermining of decent family values.  But it’s a soundtrack that works superbly.  John Brinkley makes a reasonably effective hero – he has the Jimmy Dean rebel aesthetic thing going, even though we find out he’s really a decent all-American kid.  Ed Nelson is fun as Alex.  It’s a fast-paced and highly entertaining movie with plenty of camp value, and even though it’s perhaps only marginally a juvenile delinquent flick it will appeal to fans of that sub-genre, and to fans of 50s paranoia movies in general.  And it has great cars and great clothes!  I loved it.
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