The 1956 release The Werewolf was another of producer Sam Katzman’s 1950s low-budget horror films, included in Sony’s terrific four-movie Icons of Horror: Sam Katzman Collection.
The Werewolf is an attempt to update the lycanthropy concept by throwing in some pseudoscience and some 1950s obsessions.
A stranger appears in a small American town somewhere in the mountains. Soon afterwards a grisly murder occurs - the victim’s throat appears to have been ripped out by an animal but a witness says it was a man. Things start to get really worrying when Sheriff’s Deputy Ben Clovey (Harry Lauter) is attacked. He describes his attacker as a kind of wolf-man.
Pretty soon the town is close to panic and there are lots of guys with rifles running about the woods.
Then a woman turns up, looking for her missing husband. Duncan Marsh had been slightly injured in a minor road accident and treated by two doctors.
We soon discover that the two doctors, Dr Morgan Chambers (George Lynn) and Dr Emery Forrest (S. John Launer) are actually part-time mad scientists. Dr Chambers is convinced that the world is going to be destroyed by radioactive fallout. He and Dr Forrest have developed a vaccine for radiation but it seems to have side-effects. Like turning people into werewolves. In the 1950s radiation was responsible for just about everything from giant killer insects to dandruff, and in this case it is (indirectly at least) responsible for lycanthropy!
The town’s sheriff, Jack Haines (Don Megowan), is a pretty reasonable sort of fellow and he wants if possible to bring in werewolf Duncan Marsh alive. Unfortunately Drs Chambers and Forrest have now arrived in town and they are determined that Duncan Marsh must die so they can continue their vital work.
This is actually a pretty downbeat sort of movie. Poor Duncan Marsh was just some poor slob who was unlucky enough to have a car accident. Now he’s a monster and he’s being hunted down. He’s about as tragic a monster as could be imagined and Steven Ritch’s somewhat overwrought performance goes all out to engage our sympathies.
The fact that everybody in town owns a gun and is at home in the mountains makes this a movie where the monster really has the odds stacked against him big-time. That helps in making the monster even more sympathetic but it also tends to make the werewolf a lot less scary than he should be.
The two mad scientists are interesting, Dr Chambers being a typical idealistic scientist whose obsessions have rendered him totally deranged while Dr Forrest seems like a gentle soul who wouldn’t hurt a fly.
While the movie tries to give werewolves an up-to-date scientific veneer it does add one amusing nod to the classic horror movies of the 30s - it actually includes a villagers with flaming torches scene.
The werewolf makeup looks reasonable and has the advantage of allowing Steven Ritch to show some emotion but the transformation scenes are decidedly dodgy.
There’s plenty of location shooting and the movie in general doesn’t suffer too severely from a low-budget look. Fred F. Sears was not a great director but he does fairly well here, and most importantly the movie is quite well-paced. The climactic scenes on the bridge are reasonably effective.
The transfer is 16x9 enhanced (the movie was shot widescreen) and image quality is excellent.
The Werewolf is a bit lacking in genuine chills but it does follow the pattern established in Universal’s classic The Wolfman in portraying werewolves as victims rather than mere monsters. It’s not a great horror movie but it’s enjoyable enough. Recommended.