Monday, 15 April 2019
Zoltan Hound of Dracula (1977)
It starts with a bunch of soldiers doing some blasting. From the uniforms I’m guessing they’re Russian or at least from behind the Iron Curtain somewhere. In fact from hints dropped later in the film it’s probably Romania. Apparently they were searching for a tomb and they’ve found it. It’s the Dracula family tomb.
One of the soldiers rather unwisely decides to have a look inside one of the coffins. The corpse has a stake through it. Now I don’t know about you but the last thing I’d do is to pull the stake out (this is the Dracula family tomb after all) but that’s exactly what this soldier does. The corpse comes to life, but it’s not exactly a vampire. It’s a dog. But it’s a vampire dog. The dog disposes of the soldier and then opens another casket and uses its teeth to pull out the stake in another corpse. This corpse is delighted to be reunited with his faithful dog.
The resident vampire expert, Inspector Branco (José Ferrer), knows what this is all about. The man is Dracula’s servant Veidt Smit and he’s a fractional lamia (a fancy way of saying he’s a half-vampire, a sort of Renfield type). Half-vampires can’t survive without their vampire master so Smit is now going to set off to find the last surviving member of the Dracula family who lives in L.A. somewhere. Oddly enough Inspector Branco and the soldiers, although they dutifully burn all the vampires corpses they’ve found, don’t bother hunting down Smit and his dog.
Psychologist Michael Drake and his family (wife Maria, son Steve and daughter Linda) and along with their two German Shepherd dogs are off on a camping trip. They don’t know that Michael Drake is actually Michael Dracula, last of the line of notorious vampires. They also don’t realise that they are about to be stalked by Smit and the hound Zoltan.
The camping trip goes badly for the Drake family. Things keep going wrong with dogs. Not just their dogs but other strange dogs. The Drakes are starting to get a bit scared, and then Inspector Branco turns up. He explains the family history to Michael. Veidt Smit will have to be destroyed but it will be necessary to use Michael as bait. This works a bit too well and soon Branco and Michael are besieged in a tiny cabin by Zoltan and his pack of vampire hounds. Zoltan might be a vampire but he’s still only one dog so the first thing he did was to start recruiting an army of canine vampires. There’s even a vampire puppy!
The plot doesn’t always make a great deal of sense, and Branco is not a very well equipped vampire hunter. He has a collection of sharpened stakes but that’s about it.
There’s some gore in this film. It was 1977 so that’s pretty much inevitable.
The idea of a vampiric dog is fairly dumb but at least they were smart enough to use a Doberman. Dobermans look scary at the best of times, even when they’re friendly. So with a few very simple special effects to make the eyes glow a Doberman can be made into at least a moderately convincing vampire dog, and without looking too silly. They’ve also made the fur of the vampirised dogs look slightly greyed-out, which looks quite effective.
Some of the dog attack scenes are pretty lame but others are surprisingly well done. The attack on the cabin comes close to being genuinely scary.
On a technical level this movie doesn’t look as ridiculous as you might expect because it wisely relies on simple tricks.
Of course you can’t get away from the fact the the whole premise of the movie is incredibly dumb. There must have been some temptation to make it a spoof but that temptation is resisted and the whole thing is taken very seriously. In some ways that makes it more enjoyably silly.
Reggie Nalder as Veidt Smit doesn’t bother to do much acting. He looks incredibly creepy and incredibly cadaverous and so he doesn’t need to do much. The rest of the cast can best be described as adequate. José Ferrer seems like he’s gritting his teeth and thinking about his pay cheque but he's a pro so his performance is OK.
The DVD version I have is a double-header (it’s paired with Hammer’s last horror movie To the Devil…A Daughter). Zoltan Hound of Dracula gets a fairly OK anamorphic transfer, with no extras.
Zoltan Hound of Dracula might perhaps have been more successful had it been done in an overly tongue-in-cheek way, but then again that might have been just too obvious. The fact that it’s done absolutely straight is morbidly fascinating. A bit more energy would not have gone amiss.
It’s not as much fun as the goofy premise might suggest but it’s still oddly enjoyable. Worth a look if you find it in a bargain bin.