The Mole People is a 1956 Universal-International science fiction B-movie.
An archaeological expedition has made some surprising finds regarding a very obscure dynasty. I’m not sure where this is supposed to be taking place. They find a Sumerian inscription so one would guess Mesopotamia but it looks more like the Himalayas. After an earthquake they make another find - a very ancient oil lamp with another inscription which suggests that if they climb a rather forbidding mountain they will make some very exciting finds.
Three archaeologists - Dr Roger Bentley (B-movie stalwart John Agar), Dr Jud Bellamin (Hugh Beaumont) and Professor Etienne Lafarge (Nestor Paiva) - make the climb. They do find something pretty startling - an ancient city. And it’s inhabited. The people are still stuck in the Sumerian era and they’re superstitious and suspicious of strangers. In fact they don’t believe that strangers can exist. Their city is to them the entire world. Luckily, after first deciding to kill them, the king changes his mind and decides that these strangers must be messengers from the goddess Ishtar.
The city is located beneath the surface of the Earth, as a result of a catastrophic volcanic eruption five thousand years ago.
The city’s population is extremely small but there are also the Creatures of the Dark (they’re the mole people of the title although they’re never referred to as such). They were once human. Now they’re slaves.
The problem for the archaeologists is to keep the king thinking that they’re divine messengers. The high priest (played Alan Napier) doesn’t buy their story at all and favours killing them. Before killing them he wants their magic cylinder that contains Ishtar’s divine fire. It’s actually just an ordinary torch (or flashlight for American readers). It would be useful to keep the slaves in line. The inhabitants of this buried city cannot tolerate bright light. It terrifies them and can kill them.
Of course there’s a girl, Adad (Cynthia Patrick). She’s a slave. She’s not one of the mole people but she is one of the Marked Ones, who are presumably mutants of a sort. She certainly doesn’t look like a mutant. She’s blonde and cute and Dr Bentley is immediately smitten.
There are some dangers to be faced but there’s really very little action. This is a movie that doesn’t manage to create a great deal in the way of excitement or suspense.
The special effects are mostly very cheap although there are occasional effects shots that work. Matte paintings are used a great deal. It’s a technique I usually like but in this case the matte paintings are rather crude.
The disappearing into the ground trick however is pretty cool and works well on screen. The mole people are just guys in rubber suits but they look quite cool as well.
The acting is standard B-movie stuff, apart from Alan Napier who manages to be creepy and sinister and menacing. You get the feeling that this high priest enjoys putting people to death.
The basic idea is fine (in fact quite good) and while the script doesn’t do anything dazzling with it it’s serviceable enough. There is a surprising touch at the end.
Virgil W. Vogel directed. He spent most of his directing career working in television. A year after this film he directed the very entertaining lost world movie The Land Unknown (1957).
If you accept the fact that everything looks very artificial then this movie is a lot more enjoyable. In the scenes in the mine the artificiality becomes a definite asset, creating a nightmare underworld atmosphere.
Despite its faults and a certain talkiness this is an oddly likeable movie. It’s no masterpiece but it is reasonably good fun if you love 50s monsters movies and lost civilisation tales. Recommended.
This film is included in Universal’s five-movie Classic Sci-Fi Ultimate Collection DVD boxed set. The Mole People gets an acceptable transfer. It’s presented in 1.37:1. The movie was shot in black-and-white. It has I believe subsequently had a Blu-Ray release.
2 comments:
My only dislike for this film is from the padded introduction by an academic of some sort who babbles on for far too long. Other than that, it's a nice little B movie.
Randall Landers said...
My only dislike for this film is from the padded introduction by an academic of some sort who babbles on for far too long.
Yes, those things need to be kept short.
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