The seven West German Kommissar X eurospy movies made between 1965 and 1971 were based on the incredibly popular Kommissar X book series. Paul Alfred Mueller (1901-1970) wrote 620 Kommissar X books under the name Bert F. Island. Yes, you read that right. 620 books.
Drei goldene Schlangen (AKA Three Golden Serpents AKA Island of Lost Girls AKA Beautiful Lost Girls in Hell's Island) was the sixth of the Kommissar X movies and was released in 1969.
The Kommissar X films started out as standard erospy movies (albeit very good eurospy movies) but the later entries in the cycle have more to do with crime-fighting than espionage. At least in this one it’s an international crime syndicate so the feel is not too different from a eurospy film, it just lacks the gadgets and the slightly science fictional touches one associates with eurospy flicks. It seems quite likely that the switch to crime-fighting was the result of increasingly tight budgets.
The two lead actors are once again Tony Kendall (as Joe Walker) and Brad Harris (as Captain Tom Rowland). Rowland is on holiday in Bangkok when an American woman, a Mrs Leighton, asks him for help. She believes that her daughter Phyllis has been kidnapped. The mother doesn’t want the police involved. Rowland reluctantly agrees that maybe Joe Walker is the man who can help.
In these later movies Joe Walker is a private eye rather than a secret agent but he’s as cocky and cheerful and irresponsible as ever. Tom Rowland is still pretending to be horrified by the thought of having to work with Joe yet again. He disapproves of Joe’s irresponsibility but of course if you’ve watched the earlier movies you know that these two really are buddies. Tom just likes to complain. It makes him feel better.
Almost immediately there is an attempt on Joe’s life. Followed by numerous additional attempts. It’s obvious that he’s stumbled into something big and he’s up against people who are both murderous and persistent. Fortunately they’re not very competent.
Joe and Tom do have one important clue. Two of the would-be assassins have a tattoo showing three entwined snakes. It sounds like a religious cult or a crime gang.
Phyllis has indeed been kidnapped and her captors intend to sell her into prostitution. First they will break her spirit wth drugs and psychological torture. While being held captive she meets Petra. Petra appears to be working for the crime gang, but she promises to help Phyllis. We don’t know what to make of Petra. Is she planning to double-cross the crime gang or is she intending to betray Phyllis? Either way Petra is definitely one feisty gal. After escaping she steals a boat, and killing the three crew members is like child’s play for her.
Joe and Tom have heard rumours of an island which men can visit, but they have to agree to be drugged for the trip there so that they have no way of knowing where the island is. When they get there they will find an assortment of very pretty girls to entertain them.
The island may be owned by Madame Kim Soo, a very rich very respectable lady active in charity work. The police are sure she would never be involved in anything shady, and would certainly not be running an island brothel.
Joe decides he’d like to visit this island. He’ll pretend to be a Texan millionaire. He’s sure no-one will recognise him.
Nothing can go wrong because he has a radio transmitter in his sunglasses. Tom Rowland will be able to keep in touch with him and the police should be able to use the signal to locate the island (which they do using a groovy machine with a spinning globe on top of it). It’s a good plan. As long as nothing happens to those sunglasses.
Joe’s mission is not just to close down Madame Kim Soo’s sex island. His main task is to rescue Phyllis, presumably held prisoner on that island.
The action is pretty much non-stop and it’s done quite well. The violence isn’t graphic at all but the body count is high.
The Thai locations are used well. By this time the Kommissar X movies were being shot in colour and Three Golden Serpents looks impressive.
There are lots of beautiful women and lots of topless scenes.
The battle on the mud flats is a crazy but effectively weird touch.
Tony Kendall and Brad Harris were working together as a well-oiled machine by this stage. The supporting players are all perfectly competent.
Director Roberto Mauri worked in the usual array of genes and was also responsible for the delightfully goofy King of Kong Island (1968). His work on Three Golden Serpents might not be inspired but he keeps things moving.
Three Golden Serpents isn’t trying to be anything more than pure entertainment and as long as you accept this and don’t try to analyse the movie it works on that level. Perhaps not quite as good as the previous movie in the series, Three Blue Panthers, but still recommended.
The German DVD boxed set offers this movie in both German and English language versions. It gets a pleasing anamorphic transfer.
Horror, sci-fi, exploitation, erotica, B-movies, art-house films. Vampires, sex, monsters, all the fun stuff.
Showing posts with label Kommissar x. Show all posts
Showing posts with label Kommissar x. Show all posts
Sunday, 2 July 2023
Sunday, 23 October 2022
Kommissar X - Drei blaue Panther (1968)
Released in 1968, Drei blaue Panther (AKA Three Blue Panthers AKA Kill Panther Kill) was the fifth of the seven Kommissar X eurocrime/eurospy movies made in Germany between 1965 and 1971. They were based on a prolific and hugely successful series of books written by Paul Alfred Mueller under the name Bert F. Island. He wrote no less than 620 Kommissar X books!
The heroes of both the books and the films are American private eye Joe Walker (played in the films by Tony Kendall) and New York cop Tom Rowland (played by Brad Harris). Joe Walker is a devil-may-care sort of guy fitting pretty neatly into the stereotype of a glamorous private eye. Tom Rowland is a tough no-nonsense cop who thinks his pal Joe is wild and irresponsible.
This adventure begins with the ambush of a police van. The object was to spring convicted robber Arthur Hillary. Hillary knows where the loot from a spectacular jewel robbery is hidden. His brother Robert has the jewels and Arthur doesn’t know exactly where they’re hidden.
The two brothers don’t get on, partly because Arthur thinks Robert stole his girl Elizabeth (Erika Blanc). Elizabeth is now married to Robert.
In the English dubbed version the surname Hillary is changed to Tracy.
Robert lives in Canada and that’s where Arthur and his accomplices are heading. That’s also where Tom Rowland is. He’s helping the local Canadian police on this case.
Tom is rather taken aback when he discovers that Joe Walker, who is supposed to be Brazil has just checked into the same hotel he’s staying in. What on earth is Joe doing in Canada?
Joe is in fact working for the insurance company so he’s trying to recover the jewels. Since Tom is trying to find the thieves it makes sense for them to coƶperate which, after much squabbling, they do.
There’s much more serious disagreement between the two Hillary (or Tracy) brothers. When I tell you that they’re twin brothers you’ll have some idea of the likely nature of those complications.
Arthur’s accomplices want the jewels as well. There’s not much honour among these thieves.
Finding the jewels is the challenge. Whenever they are they’re very well hidden.
Another complication is Robert’s nurse/secretary Emily (Corny Collins). Robert seems very fond of her, and Elizabeth has noticed this.
Tom also seems to have grown very fond of Elizabeth, in a way that might conceivably affect his professional judgment.
The plot revolves around those missing jewels, with various characters willing to bump each other off and resort to other nastiness in order to get them.
At this point you might be thinking that this doesn’t sound like a eurospy movie. Where are the gadgets? Where is the outlandish spy thriller plot in which the fate of the world hangs in the balance? You’d be right to wonder. The Kommissar X movies certainly started out as typical (and very fine) examples of the eurospy genre. By the time we get to this fifth film we find that the series has morphed into something entirely different. This is a pure crime thriller. There’s no hint whatsoever of spies or diabolical criminal masterminds or international intrigue.
It seems that the producers had decided that the 60s spy craze had just about run its course and that glamorous crime thrillers set in exotic locations (liberally sprinkled with pretty girls) were going to be the wave of the future. They may have been correct in feeling that the eurospy genre was close to being played out.
You might also think that Canada is an odd choice as the setting, since eurospy movies usually had more exotic settings. The reason may have been that Expo 67 was happening in Montreal at the time the movie was being shot. Expo 67 was the biggest and most successful world’s fair in history. It’s used as the background for much of the action in the movie and at the time it would have given the movie a very up-to-date and topical feel. And since this is a crime movie rather than a spy movie the futuristic trappings of Expo 67 (monorails and such things) supplied some of the technological coolness that had been provided by the secret spy headquarters and the gadgetry of the earlier spy-oriented films.
The action moves along at a brisk pace. There’s a pretty cool fight scene in a martial arts club. Theres an epic fight scene later on. Being outnumber six or eight to one doesn’t even slow Joe and Tom down. Corpses slowly accumulate. Lovely ladies are threatened with torture.
Tony Kendall (who was of course Italian) and Brad Harris always make a great team. In this film their constant efforts to get the better of each other provide extra amusement. There are very satisfactory villains and three lovely ladies all of whom can act. There’s mayhem aplenty but no graphic violence and no sex.
The early Kommissar X movies have long been available in English dubbed versions but sourced from very poor washed-out prints. The recent German DVD boxed set provides lovely bright vibrant transfers and the English-dubbed soundtrack of Kommissar X - Drei blaue Panther is provided as well.
Although it’s not technically a eurospy movie it still has much of the eurospy vibe to it. A fast-paced fun movie. Highly recommended.
The heroes of both the books and the films are American private eye Joe Walker (played in the films by Tony Kendall) and New York cop Tom Rowland (played by Brad Harris). Joe Walker is a devil-may-care sort of guy fitting pretty neatly into the stereotype of a glamorous private eye. Tom Rowland is a tough no-nonsense cop who thinks his pal Joe is wild and irresponsible.
This adventure begins with the ambush of a police van. The object was to spring convicted robber Arthur Hillary. Hillary knows where the loot from a spectacular jewel robbery is hidden. His brother Robert has the jewels and Arthur doesn’t know exactly where they’re hidden.
The two brothers don’t get on, partly because Arthur thinks Robert stole his girl Elizabeth (Erika Blanc). Elizabeth is now married to Robert.
In the English dubbed version the surname Hillary is changed to Tracy.
Robert lives in Canada and that’s where Arthur and his accomplices are heading. That’s also where Tom Rowland is. He’s helping the local Canadian police on this case.
Tom is rather taken aback when he discovers that Joe Walker, who is supposed to be Brazil has just checked into the same hotel he’s staying in. What on earth is Joe doing in Canada?
Joe is in fact working for the insurance company so he’s trying to recover the jewels. Since Tom is trying to find the thieves it makes sense for them to coƶperate which, after much squabbling, they do.
There’s much more serious disagreement between the two Hillary (or Tracy) brothers. When I tell you that they’re twin brothers you’ll have some idea of the likely nature of those complications.
Arthur’s accomplices want the jewels as well. There’s not much honour among these thieves.
Finding the jewels is the challenge. Whenever they are they’re very well hidden.
Another complication is Robert’s nurse/secretary Emily (Corny Collins). Robert seems very fond of her, and Elizabeth has noticed this.
Tom also seems to have grown very fond of Elizabeth, in a way that might conceivably affect his professional judgment.
The plot revolves around those missing jewels, with various characters willing to bump each other off and resort to other nastiness in order to get them.
At this point you might be thinking that this doesn’t sound like a eurospy movie. Where are the gadgets? Where is the outlandish spy thriller plot in which the fate of the world hangs in the balance? You’d be right to wonder. The Kommissar X movies certainly started out as typical (and very fine) examples of the eurospy genre. By the time we get to this fifth film we find that the series has morphed into something entirely different. This is a pure crime thriller. There’s no hint whatsoever of spies or diabolical criminal masterminds or international intrigue.
It seems that the producers had decided that the 60s spy craze had just about run its course and that glamorous crime thrillers set in exotic locations (liberally sprinkled with pretty girls) were going to be the wave of the future. They may have been correct in feeling that the eurospy genre was close to being played out.
You might also think that Canada is an odd choice as the setting, since eurospy movies usually had more exotic settings. The reason may have been that Expo 67 was happening in Montreal at the time the movie was being shot. Expo 67 was the biggest and most successful world’s fair in history. It’s used as the background for much of the action in the movie and at the time it would have given the movie a very up-to-date and topical feel. And since this is a crime movie rather than a spy movie the futuristic trappings of Expo 67 (monorails and such things) supplied some of the technological coolness that had been provided by the secret spy headquarters and the gadgetry of the earlier spy-oriented films.
The action moves along at a brisk pace. There’s a pretty cool fight scene in a martial arts club. Theres an epic fight scene later on. Being outnumber six or eight to one doesn’t even slow Joe and Tom down. Corpses slowly accumulate. Lovely ladies are threatened with torture.
Tony Kendall (who was of course Italian) and Brad Harris always make a great team. In this film their constant efforts to get the better of each other provide extra amusement. There are very satisfactory villains and three lovely ladies all of whom can act. There’s mayhem aplenty but no graphic violence and no sex.
The early Kommissar X movies have long been available in English dubbed versions but sourced from very poor washed-out prints. The recent German DVD boxed set provides lovely bright vibrant transfers and the English-dubbed soundtrack of Kommissar X - Drei blaue Panther is provided as well.
Although it’s not technically a eurospy movie it still has much of the eurospy vibe to it. A fast-paced fun movie. Highly recommended.
Subscribe to:
Posts (Atom)









