Showing posts with label ray harryhausen. Show all posts
Showing posts with label ray harryhausen. Show all posts

Wednesday, 17 September 2014

Earth vs. the Flying Saucers (1956)

It’s a tough thing for a fan of cult movies to admit but until tonight I had never seen Earth vs. the Flying Saucers. I had heard a great deal about it of course and I can’t really explain why I’d never seen it. I have now had the chance to see it on the Blu-Ray release (that’s the good news) in a colorised version (that’s the bad news).

I managed to endure a few minutes of the drab lifeless colours before switching to the black-and-white version which is (mercifully) also included.

This is of course one of the legendary Ray Harryhausen movies of the 1950s. Harryhausen’s flying saucers do not disappoint.

In some ways the plot, from a story by Curt Siodmak, is pretty much a stock-standard alien invasion story. Flying saucers were big news at the time so combining the flying saucer craze with an alien invasion story was an excellent idea. The original inspiration was apparently a book by noted UFO enthusiast Donald E. Keyhoe, who had been a prolific writer of extremely good and wildly imaginative pulp fiction back in the 1920s and 1930s. Many of his pulp stories are now available in book form and I can highly recommend The Vanished Legion and (even more particularly) Strange War.


Dr Russell A. Marvin (Hugh Marlowe) is a scientist working on Project Skyhook, which involves the launching of a dozen artificial satellites. Marvin and his new bride Carol (Joan Taylor) encounter a flying saucer while driving to the satellite launch site. Project Skyhook has been running into problems and contact has been lost with most of the satellites. What Dr Marvin does not know but will soon find out from his boss General Hanley (Morris Ankrum) is that the satellites are no longer up there in space. The wreckage of the satellites has been found scattered in various locations across the globe. It won’t take the viewer long to figure out that the loss of the satellites is connected with the flying saucers that have been spotted recently. It takes Dr Marvin a little longer to spot the connection, but not too long.

The flying saucers attack the launch site and pretty soon Project Skyhook is a smouldering expanse of rubble and scrap metal. Dr Marvin discovers (through a clever early use of the much-used technique of slowed-down sound recordings) that the aliens have been trying to make contact with Earth. At this point you might think this is going to be another of those alien invasion movies involving tragic misunderstood aliens fleeing a dying world. That turns out to be partly true but it soon becomes obvious that the aliens were not trying to contact us to negotiate with us but merely to inform us of our impending conquest. They were hoping for a surrender to save them the trouble of destroying us.


Of course the Earth has no intention of surrendering. And Dr Marvin is not one of those irritating movie scientists who tries to persuade us to try to understand the aliens’ point of view. Dr Marvin is in fact as gung-ho as anyone about resisting the invasion and he is soon busily inventing a secret weapon to knock those flying saucers out of the sky. The story builds towards the inevitable showdown with the aliens, and some very satisfying battle scenes.

One of the great attractions of 1950s sci-fi is the technobabble, something 1950s film-makers were very good at. This movie has some superb examples, the best being the Infinitely Indexed Memory Bank and the alien helmets made from solidified electricity (Ray Harryhausen himself claimed the credit for that last one). 


It goes without saying that when you see Ray Harryhausen’s name in the credits you expect that the special effects will be a major feature of the film and that they will be impressive. In this movie Harryhausen delivers the goods on both counts. The flying saucers really do look terrific. The amazing thing is that the largest models used were only a foot in diameter and yet they look much more convincing and much more sophisticated than any other attempts at that time to depict flying saucers.

This movie, like most low-budget sci-fi movies of its era, uses a lot of stock footage. The difference is that in this movie the stock footage is integrated into the action with extraordinary skill and in almost every case it’s been so carefully selected that it fits in perfectly. This film is an object lesson in how to use stock footage properly and effectively.

The climactic battle scenes, with flying saucers wreaking destruction on Washington and other cities while Dr Marvin’s new sound gun takes a toll on the saucers, are remarkably effective. The flying saucers look like they’re really there.


The Blu-Ray includes a number of extras including an audio commentary with Harryhausen himself and a couple of supposed experts who seem to know very little about their subject. Harryhausen though supplies a good deal of fascinating information on the making of the film and the creation of the special effects. The breath-taking simplicity of some of his techniques demonstrates that getting special effects right depends on skill and imagination rather than the popular modern approach of just throwing money at the problem.

While I listened to the audio commentary I forced myself to sit through the colorised version. I was not impressed. The colours look much too much like the colours in so many movies today - too drab and way too much blue and green toning. To my mind the black-and-white version looks fresher and brighter. The good news is that apart from the ill-advised colorisation the transfer is extremely good.

The biggest surprise is that Earth vs. the Flying Saucers works very well as a genuine science fiction action movie rather than an exercise in high camp. There is nothing of the so-bad-it’s-good quality to this movie. And there is no reason to be embarrassed by the special effects - they still look very impressive. Highly recommended.

Saturday, 4 August 2012

Sinbad and the Eye of the Tiger (1977)

Sinbad and the Eye of the Tiger, released in 1977, was the last of the Ray Harryhausen Sinbad movies. Sinbad had been good to Harryhausen - these movies offered the perfect field for his special effects genius. And this is a reasonably worthy successor to the earlier Sinbad movies.

Although Sam Wanamaker directed it’s fair to describe this as Harryhausen’s movie - apart from doing the special effects he co-produced it and co-wrote the story.

Sinbad (Patrick Wayne) returns from a long sea voyage to find big trouble at home. He’s looking forward to seeing the beautiful Princess Farah (Jane Seymour) again but he finds the city gates locked. He is told there is plague in the city but when he finds Princess Farah he discovers the real trouble is rather different. Farah’s brother Kassim was about to be crowned as Caliph when something horrible happened, something that can only be explained by witchcraft - Kassim was turned into a baboon.

Farah is devoted to her brother and she has no doubts as to who is responsible - it is her evil stepmother Zenobia (Margaret Whiting). Zenobia wants the crown for her own son.


If Kassim cannot be crowned within seven moons he will lose his claim to the throne, so even if there is a way to restore him it will be a race against time. Against witchcraft as powerful as this there seems little hope anyway until Sinbad remembers that there may be one man who can help, the legendary alchemist and philosopher Melanthius. The problem is that no-one is sure that Melanthius really exists. Nonetheless Sinbad sets off in his ship, along with Princess Farah and her unfortunate brother, to find him.

Of course they do find him, but Melanthius (Patrick Troughton) has to confess that such powerful black magic is beyond his powers. The only chance for the prince would be to journey to the land of Hyperborea, the home of a legendary ancient civilisation with occult and scientific powers almost beyond imagining, but that is impossible. It lies at the top of the world, a land of snow and ice. Sinbad however is not going to let that daunt him and he sets off to find Hyperborea and persuades Melanthius to come along.


Unfortunately Zenobia is in hot pursuit, in her all-metal ship rowed by a fabulous bronze giant, one of her own creations.

There’s the usual array of Harryhausen monsters and stop-motion effects. Some are very good, others not so good. The giant killer walrus is one of the least effective. The best thing about the monsters is that they’re not all mere monsters - some turn out not to be evil at all. That’s a nice variation and certainly adds interest.


The cast is mostly good. Patrick Wayne (John Wayne’s second son) is a less effective Sinbad than John Philip Law had been in the The Golden Voyage of Sinbad - Law was a much more convincingly exotic hero while Wayne is just a bit too all-American to make the role work. On the other hand he certainly looks the part of an action hero and he has an easy-going charm that makes him impossible to dislike.

Much better is Jane Seymour as Princess Farah, not just looking stunning but doing a creditable acting job. Even better still are Margaret Whiting as Zenobia and Patrick Troughton as Melanthius. Neither misses an opportunity to overact, which is just as it should be in a movie such as this. They’re entertaining enough to carry the movie through some slow spots.


Which brings us to director Sam Wanamaker whose contributions to the movie are less than inspired. The movie is much too long at 113 minutes and the pacing is definitely on the slow side and could have used a bit more action and a bit more imagination in the action sequences that are there.

The script is not overly inspired either, being a bit too much of a recycling of ideas from previous Sinbad movies.


The movie has to rely a great deal on Harryhausen’s monsters and even some of these seem a bit too familiar.

Even with these faults and even admitting that it’s a bit of a disappointment after the superb The Golden Voyage of Sinbad it’s a fun movie in its own way.

Columbia Tristar’s DVD features a terrific transfer.

Saturday, 12 March 2011

The 7th Voyage of Sinbad (1958)

An adventure movie based on the adventures of Sinbad with special effects by Ray Harryhausen is a combination that can’t really fail. And The 7th Voyage of Sinbad is indeed pure fun.

Prince Sinbad is about to marry a princess from a neighbouring kingdom, a marriage that should ensure the future happiness of the two young people (who are genuinely in love) and the peace and prosperity of both kingdoms. But a scheming magician named Sokurah has other ideas. He lost his magic lamp in an earlier expedition to the fabled island of Calossa, home of the dreaded cyclops, and he is determined to get it back.

No sane person would back another expedition to the island and no sane person would take part in it, but Sokurah intends that such an expedition will take place. He will leave Sinbad and his father with no choice. When Sinbad discovers that his bride-to-be has been shrunk to a height of around six inches he is willing to do anything to reverse what is clearly a powerful and malevolent spell. When Sokurah informs him that he can easily restore the princess to her normal dimensions if only he could get hold of a portion of the eggshell of the gigantic and fearsome bird known as the roc, a bird that just happens to be found only on the island of Calossa, Sinbad agrees to undertake the hazardous voyage.

To procure a crew Sinbad has to resort to recruiting condemned criminals, a step that adds even more dangers to an already perilous voyage.

Director Nathan Juran and Harryhausen keep the monsters coming at a relentless pace. There are no boring bits in this movie. The monsters will be a delight to all fans of Harryhausen’s stop-motion animation techniques.

The acting is reasonably good. Torin Thatcher as the evil magician has the juiciest role and steals most of the acting limelight. Kerwin Mathews is a perfectly acceptable Sinbad and Kathryn Grant is likeable as the princess. Richard Eyer works pretty well as the boy genie in the lamp, in a role that could so easily have become annoying.

The one minor disappointment I had with the movie was that Sinbad’s ship looks a bit too European but that’s an insignificant quibble really.

This was one of Harryhausen’s earlier attempts at a Technicolor fantasy epic and it was a resounding success. It remains hugely enjoyable.