The West German film industry was largely kept afloat from the late 50s to the end of the 60s by the extraordinary popularity of the Edgar Wallace crime thrillers, known as krimis. These were made in vast numbers. They were made by several studios but it is generally considered that the best of the krimis were the ones made by Rialto Studios.
The Green Archer (Der grüne Bogenschütze), made by Rialto in 1961, is one of the best known films in the series. It was the only Edgar Wallace krimi directed by Jürgen Roland.
Edgar Wallace had been an incredibly popular writer in the early decades of the 20th century but for some reason he was particularly favoured by German readers, and film adaptations of his works were particularly favoured by German movie audiences. German thriller fans just could not get enough of Wallace’s outrageous and lurid style and his and convoluted multi-layered plots.
The Green Archer is classic Edgar Wallace. A rich American, Abel Bellamy (Gert Fröbe), owns a castle in England. Naturally the castle has a ghost, but this ghost is more interesting than most. The Green Archer had been a notorious medieval outlaw but although he is long dead his ghost remains very active.
Abel Bellamy apparently has a very colourful past which he is not anxious to talk about. He is particularly anxious not to discuss his past with his new neighbours, the Howetts. This is awkward since Valerie Howett (Karin Dor) would very much like to discuss Bellamy’s past with him. Bellamy claims to have no family but this is most certainly untrue.
There are other plot strands that initially appear to have no connection with each other. These other plot strands include the activities of the Green Archer himself, and all seem to lead directly or indirectly back to Abel Bellamy.
This being an Edgar Wallace adaptation there are of course secret passageways and hidden doorways. In fact there’s a veritable secret world beneath Abel Bellamy’s castle. It’s not easy gaining access to this world. Getting out again is even more difficult.
There are plenty of colourful characters and quite a few very delightfully sinister figures, especially the extremely creepy Coldharbour Smith.
The action keeps rolling along and the climax is suitably outrageous and overblown and thoroughly enjoyable.
Despite the complications of the plot Jürgen Roland does a fine job holding things together. At times the movie threatens to collapse under the weight of its own complexity but it doesn’t.
Gert Fröbe is best known to English-speaking audiences as Goldfinger in the film of the same name. He was a terrific actor and he is in splendid form here. He’s definitely the star act here.
Karin Dor makes a fine determined (and very attractive) heroine. Eddi Arendt as usual provides comic relief as television reporter Spike Holland, who finds himself in the middle of a murder investigation. Eddi Arendt in an acquired taste but he was a fixture in these films and he’s really rather restrained and quite good in this movie.
Klausjürgen Wussow is the ostensible hero although it takes us a while to figure that out.
Like all the German Edgar Wallace krimis The Green Archer is supposedly set in England. The English locations are totally unconvincing but that doesn’t mater. I like to think that these movies take place in their own alternate reality. It’s an England of the imagination.
One thing you learn when you become a fan of these movies is that it’s best to give up any fantasies you might have of seeing them presented beautifully restored and in anamorphic transfers. It’s not going to happen. As with other European cult movies (such as peplums and eurospy movies) you learn to be grateful to see them at all. While the Sinister Cinema edition of The Green Archer is fullframe it is at least a pretty good print and the chances of a better English-friendly version ever seeing the light of day are just about zero. This is as good as it’s going to get and luckily it’s quite acceptable.
The Green Archer is total insanity and it’s great fun. Highly recommended.
3 comments:
Many thanks for such an informative review. It's a sub-genre I don't know much about. And it certainly seems to have a good cast.
These were a remarkable find for me as well. I stumbled across them at http://www.creepster.tv/ which appears to still be in operation. I enjoy the film noir approach, and as you noted these German locations can be obvious. :)
Tobis have released a 33-disc DVD box set of all the Rialto Edgar Wallace movies, called the Edgar Wallace Gesamtedition - one film per disc. Unfortunately, it's very expensive, although it's divided into four boxes of about 8 films each, which are apparently available separately, so they may be cheaper (I bought the whole set with some of my redundancy money - every cloud ... !)
The majority have English subtitles, and many have an alternative English audio. Annoyingly, this one has neither! Luckily, my PC is connected to my TV, so I downloaded fan subtitles, played it on my PC and watched it on my TV.
This movie is in widescreen (seems to be about 16:9) although not all the others are. The print is very good.
What a berserk film! You need a degree in Ludicrousology* to follow what's going on! (*the academic study of plots that don't make sense.) The opening scene tells you just how crackers it's going to be. You can see everyone's just decided to go with the flow and have fun!
Tremendous fun! Highly recommended!
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