Henry’s Night In is a 1969 American sexploitation movie that falls into a fairly select genre - sex comedies that actually work.
Henry is an inoffensive rather nerdy sort of guy with a passion for building model ships. His marriage is not going well. His wife would prefer it if he took a bit more interest in her body and a bit less interest in his model ships. To say that she is sexually dissatisfied would be putting it mildly.
She regards Henry as a weakling. In fact she despises him. Of course this might be part of the reason for the lack of bedroom action in their marriage. Her shrewish behaviour is not exactly calculated to kindle the fires of passion in a man.
Then Henry goes to an auction and finds that he’s bought a mysterious trunk. He’s not sure exactly how he managed to buy it since he didn’t want it. The trunk contains one item, a diary. It’s the diary of an invisible man, and it contains instructions for achieving temporary invisibility. Surprisingly enough it works. All you have to do is to swallow the chemical formula and then sneeze and you become invisible. If you sneeze again you become visible again.
The erotic possibilities are obvious and they’re not lost on Henry. Maybe in ordinary life he’s no stud but that’s because he’s nervous and awkward and repressed. Possibly an invisible Henry would not have those problems. His inhibitions might disappear. And that’s exactly what happens.
Of course the first thing that occurs to Henry is that he could sneak into the house of Sandy, the attractive brunette who’s just moved into the neighbourhood. It’s just a few doors from his own house. Since his invisible the brunette has no idea there’s a man in her house and Henry gets to watch her parading about the house naked. This is something she spends a good deal of time doing. As we’ll soon find out, all the women in this neighbourhood seem to spend most of their time naked when they’re home alone. Of course an invisible man can also do more than just look. All he has to do is wait until they turn the lights out, then hop into bed with them and have sex with them. Since all the local women are having love affairs they’re not the least bit surprised by a man slipping into bed with them. They just assume it’s one of their lovers.
Pretty soon Henry has sampled the delights of most of his female neighbours.
His wife soon notices that he’s behaving strangely and disappearing at odd times. She’s determined to find out what’s going on.
There’s actually a bit more than this to the plot. There’s the question of the identity of the mysterious Jack who has been pleasuring all the women in the neighbourhood, but none of them can say what he looks like. He only makes love to them with the lights out. Is he invisible as well, or does he have some other secret?
The invisibility idea provides a neat solution for one of the problems facing sexploitation movie-makers in the mid to late 60s. Nudity was no problem, but they had to be very cautious about sex. Even mildly explicit simulated sex was a no-no. But if only the girl is visible she can be as uninhibited as she likes in simulating sex with her invisible partner and some of the girls in this movie do get very uninhibited indeed.
There’s an enormous amount of nudity, including lots of frontal female nudity (since the ladies’ sex partner is invisible there’s no need to worry about male nudity). The girls are mostly pretty attractive, and this being a 60s sexploitation movie they do look like real women rather than super-models or the products of plastic surgery.
As you may have guessed from the plot outline (invisible men ravishing unsuspecting women and the women loving every moment of it) the political incorrectness levels here are absolutely off the scale. In spite of this it’s a remarkably good-natured little flick. It should be noted that neither Henry nor Martha (his wife) has given up entirely on their marriage. Henry actually does love Martha and he would very much like to be able to satisfy her physical needs. Martha loves Henry, and if only he could perform his husbandly duties in the bedroom with a bit more energy and enthusiasm she’d be quite happy with him. She isn’t really a shrew after all, she’s just incredibly frustrated sexually and emotionally. It’s pretty upsetting for a gal if her husband doesn’t want to make love to her.
The other young ladies in the neighbourhood aren’t overly outraged about being ravished - it was all very exciting and romantic.
In tone this is really a very late nudie-cutie. It’s an excuse for copious amounts of female nudity combined with light-hearted fun. There’s zero violence, the worst thing that happens to anybody is that the girls get frightened by invisible mice. And of course they do what any woman would do in those circumstances - they immediately take all their clothes off.
Henry’s Night In was paired with The Girl from S.I.N. in a Something Weird double-header DVD. The Girl from S.I.N. is actually one of the best and most entertaining of all 60s sexploitation features and in this case the two movies make a perfect double feature, since The Girl from S.I.N. is also a fun light-hearted sex comedy dealing with invisibility. Henry’s Night In gets a pretty good transfer. The black-and-white image quality is quite acceptable. This is one of Something Weird’s best DVD releases.
Henry’s Night In is sexy and it’s amusing. It could even be described as a feelgood sexploitation movie with an offbeat love story. Highly recommended.
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