Wednesday 31 January 2024

Cinderella (AKA The Other Cinderella, 1977)

Cinderella (released in 1977 and later retitled The Other Cinderella) is a Charles Band-produced erotic retelling of Cinderella. It’s Cinderella as a sex comedy. But it’s more than that. It’s an erotic musical comedy retelling of Cinderella. Which is just such a fabulously 1970s concept.

It stays relatively close to the familiar fairy tale. At this point one should perhaps point out that the much-loved 1697 Charles Perrault fairy tale is just one of countless versions of a folk tale that originated around 2,000 years ago. So making a few changes to the story isn’t really particularly outrageous. It’s a story that has already been tampered with many many times.

Cinderella (Cheryl ‘Rainbeaux’ Smith) lives with her stepmother and her two stepsisters and the stepsisters make her life a misery. This will come to a head with the royal ball.

The king has arranged the ball in order to find a bride for his son. The king and queen are concerned that the young man, now twenty-one, is an innocent virgin who knows nothing about sex. In fact the prince already has an immense amount of sexual experience. He may look like an innocent young man but he is fact a debauched and jaded libertine.

Every maiden in the kingdom is to be invited to the ball.


Any feature film adaptation of the story will have to add a few subplots to pad out the running time. In this case we get the various sexual adventures of the Lord Chamberlain (Kirk Scott) as he travels the realm delivering the invitations.

Naturally Cinderella’s stepsisters try to prevent Cinderella from attending. Luckily Cinderella’s fairy godmother shows up just in time.

The fairy godmother isn’t really a fairy godmother. He’s a thief. He’s also black and gay. He’s entered Cinderella’s house with burglary in mind. He feels really sorry for the poor girl. He’d love to help her but he has no means to do so. Cinderella suggests that he needs a magic wand. He doesn’t think he possesses such a thing but he looks through his bag of stolen goods and finds a very weird contraption. Cinderella is sure it must be a magic wand. It turns out that it really is a magic wand. Cinderella will go to the ball after all.


Then comes one of the movie’s many “I can’t believe they did that” moments. The fairy godmother is confident that Cinderella will wow the prince. She has a gorgeous ball gown and a glamorous hairstyle. He’s seen her in the bath and in his view she is very well equipped in the T&A department. Just one final touch is needed. With the magic wand he makes a small adjustment to a certain intimate portion of her anatomy, which will have the effect of giving said portion of her anatomy the ability to provide the most extreme pleasure. Now she really will be irresistible to the prince.

The ball is more an orgy than a ball. The prince is blindfolded while the various maidens pleasure him. Mostly he’s disappointed. He’s had so many women that he finds it difficult to get really excited any more. Until he samples Cinderella’s charms. She offers him pleasures he’d never thought possible. That’s because of that tiny adjustment the fairy godmother made to that vital part of her anatomy.


Of course Cinderella is whisked away at midnight. The prince has no idea of the identity of that special girl but he is determined to find her. He travels the length and breadth of the kingdom, testing out every maiden to find the one with the super-special lady parts.

The first thing to say about this movie is that it’s bonkers. The second thing to say is that it’s actually beyond bonkers. It takes the concept of bonkers to whole new levels.

Visually it’s bizarre and over-the-top. Some of the girls at the ball are wearing the sorts of ball gowns you expect in a fairy tale. Some look like patrons at a 1970s disco. Some would look more at home in a movie about the decadence of the Roman Empire. Some look like refugees from a fetish video. That’s typical of the movie’s crazy visual style. The odd thing is that somehow all this visual coherence does manage to cohere into a strange but fascinating and unique visual style.

This film is packed to the brim with things that some modern viewers will find dated and problematic. That’s its charm. If you’ve always wanted a Cinderella movie that includes a song about Cinderella’s vagina this is the movie for you.


It’s a sex comedy so is it funny? I think it is. It may not have you rolling in the aisles but it’s consistently amusing.

Everything about this movie is crazed. But the craziness works. It all works because it’s so goodnatured. This is just a fun sexy movie. The amount of nudity is positively staggering and it’s fairly explicit. The sex scene (there are lots of them) are reasonably graphic but it always remains softcore.

Cheryl Smith makes a fine Cinderella. She’s sweet and charming and funny, she’s sexy and she’s naked a lot.

At the end we’re told to look forward to the sequel, Cinderella 2. In fact there was a follow-up, called Fairy Tales (1978), also an erotic musical comedy fairy tale movie.

This is a delightfully weird movie that is completely nuts and for that reason it’s highly recommended.

Full Moon’s Blu-Ray release is barebones but the transfer is lovely.

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