The Bat Woman (La mujer murcielago) is a 1968 Mexican wresting woman action/spy romp.
Gloria (Maura Monti) is a rich beautiful socialite. She is also a very successful lady wrestler. And as well as that she is the Bat Woman, a masked crime-fighter. She manages to keep her real identity a secret. This is necessary since she has a lot of enemies in the underworld.
Someone has been kidnapping wrestlers. Male wrestlers. They are found dead after having had their pineal glands removed. The killer must be insane but he must also be a skilled surgeon. In fact we know right from the start that the man behind these murders is neurosurgeon Dr Eric Williams (Roberto Cañedo).
He definitely falls into the mad scientist category. He plans to create a race of fish-men. That’s why he needs those pineal glands.
The police are relieved that the Bat Woman has agreed to assist them in solving the case.
Dr Williams has created his first fish-man hybrid. The fish-man isn’t too bright but he follows orders.
Dr Williams has a rather cool-looking mad scientist laboratory on board his yacht, the Reptilicus. The Bat Woman has to find a way to get aboard this yacht, preferably without being captured by the bad guys.
Of course we know she will be captured by the bad guys. More than once. Capturing the Bat Woman is one thing. Holding on to her is another. She’s clever and resourceful and she doesn’t give up, and she has a few tricks up her sleeve (although were she hides her gadgets in a costume that is really just a bikini is another matter).
Dr Williams has other evilness planned. He needs a mate for his fish-man. He intends to create a fish-woman. As you might guess the Bat Woman figures in this dastardly plan.
Enjoying some movies has a lot to do with how you approach them. This is a movie that should definitely not be approached as a “so bad it’s good” movie. It’s an excellent well-made movie. It should also not be approached as a “camp classic” - it is not camp. And certainly not camp in the way the Batman TV series was. It’s a lighthearted adventure ro,p but that doesn’t make it camp.
René Cardona directed an immense number of movies and all the ones I’ve seen have been fun. Alfredo Salazar wrote the screenplay. He scripted a lot of very enjoyable movies including luchadora (lady wrestler) and Aztec Mummy movies.
This is a movie made by seasoned professionals. These guys knew what they were doing. This movie is not in any way amateurish and it does not look cheap. It’s a lot more polished than most American low-budget movies of that era. It compares quite favourably with the Hammer movies of the same vintage.
Maura Monti is an Italian actress who had a brief but prolific career in Mexican cinema. This is not a role that requires great acting but in fact she’s perfectly competent in that department. What was needed was an actress who could be beautiful, sexy and glamorous. Miss Monti is well qualified in those areas. She also looks like a fit healthy active young woman and she looks quite convincing in her action scenes (and it’s obvious that she did most of these scenes herself). She also had to look great in her Bat Woman costume. It’s a rather cool costume and it’s quite revealing. Miss Monti, who is rather well developed in the bust department, fills it out very nicely. She’s also lively and likeable with charisma. She makes a fine action heroine.
The fish-man is a guy-in-a-rubber-suit monster but he’s a cool monster and I happen to love guy-in-a-rubber-suit monsters.
The most important thing of all in a movie of this type is pacing. You have to keep the action moving along. This movie certainly does that.
The Bat Woman is stylish good-natured fun. Highly recommended.
While the Bond movies may have been an influence this movie has stronger affinities with the comic book-inspired pop cinema of the 60s, movies like Modesty Blaise (1966), Danger: Diabolik (1968), Satanik (1968), Umberto Lenzi’s Kriminal (1966) and Deadlier Than the Male (1967). And maybe even Jess Franco’s The Devil Came from Akasava (1971), Kiss Me, Monster (1969) and Two Undercover Angels (1969).
Indicator’s Blu-Ray release looks terrific. It’s loaded with extras but honestly a barebones release at a more reasonable price would have been preferable.
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