Dream Lover is a 1993 erotic thriller, made at a time when erotic thrillers and neo-noirs were all the rage. This movie fits into both these categories,
Ray (James Spader) is a successful architect, newly divorced. The whole dating thing is a bit new and bewildering to him. His buddy Norman keeps trying to fix him up with women but they’re all so obviously wrong that they don’t even get to first base with Ray. Then at a party he spills wine all over Lena’s new dress. He has never met Lena (Mädchen Amick) before. The next day, quite by accident, he runs into Lena at the supermarket and they end up having dinner. She’s friendly and at the same time she’s pushing him away. They just have dinner, no more than that.
Ray is certainly not a loser. He’s just a but vulnerable at this moment, and the loneliness is just starting to get to him. He’s not exactly desperate but he really is strangely attracted to this girl and he’s not giving up.
They sleep together and that’s it for Ray. He’s fallen for her big time. He’s that kind of guy, He’s a romantic.
Pretty soon they’re married. It’s like a dream come true. He still gets on well with his first wife but they were never right for each other. It’s not like that with Lena. They’re perfect for each other.
And they have a child and the perfect marriage is still perfect.
It all seems like a very straightforward romance story. Except for the dreams Ray has. Slightly unsettling dreams about a carnival.
And there are little things. Right from the start Lena occasionally reacts in slightly odd ways. She doesn’t like to talk about her childhood. Things are not really happening between them in the bedroom any more. There are clues. Subtle clues. They’re probably nothing. But sometimes husbands do get suspicious about little things.
The problem is that he has no idea what it is that he suspects. And the viewer has no idea either. It might not be such a big deal. It’s just these odd little things that are not quite right.
I’m not going to say any more about the plot for fear of revealing spoilers, other than the fact that at this point the plot really gets moving and the movie changes gears.
Ray is a nice guy. He’s not exactly dumb but he is a romantic. His life has always run smoothly. As far as Ray is concerned the world is a place where everything makes sense. He knows that people are not perfect but he thinks that mostly they’re OK and that their actions makes sense. He has never encountered any problem he couldn’t handle. He’s obviously had a good upbringing, he’s successful, he has money. He’s been sheltered from the seamy unpleasant side of life.
I can’t say very much at all about the acting performances because that would also risk spoilers, other than to say that James Spader and Mädchen Amick are both very impressive.
There are three women who play key roles - Lena, Ray’s first wife Martha (Kathleen York) and Ray’s lawyer Elaine (Bess Armstrong).
This is Nicholas Kazan’s only feature film as director. He also wrote the screenplay and seems to have had a modestly successful career as a screenwriter. His screenplay here is quite ambitious.
Is this a neo-noir? I think it is. It involves a protagonist led along the path to destruction by a character flaw, and the flaw is an interesting one - a willingness to be deceived.
One of the three women turns out to be a definite femme fatale (and an interesting one) so there’s definitely enough here to justify the neo-noir label.
The dream sequences are an interesting touch. They have a very slight David Lynchian feel. They are unsettling. They’re puzzling but they do eventually make a kind of sense.
This is a movie that is often treated rather dismissively on the grounds that the plot involves wild implausibilities. I suspect that most reviewers have failed to consider that those dream sequences might be there for a reason. They might be crucial. They might even be the most important parts of the movie. I’m amazed that anyone could assume that they’ve just been thrown in for no reason at all.
I’m not going to tell you what I think is going on because I’m not certain, and that’s what I like most about this movie. There’s the possibility that it’s not as straightforward as it seems to be.
I liked Dream Lover a lot. Highly recommended.
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